Two dresses from 1959’s Simplicity 3010

Behold, the first official make of the “sew five different vintage (not repro) patterns” part of my Vintage Pledge, an Easter Dress from Simplicity 3010, circa 1959.


I found this amazing Japanese fabric from the Joli Pomme collection for $7 a yard last year. Super score! A dress to wear for Easter dinner seemed like the perfect thing!


I thought the scallops would compliment the round and glitter dots. Also, that the pattern was just a little bit fussy to match the fancy rabbits and friends in all their bonnets.

I have been loving working with vintage half sized patterns. They are scaled for short busty women like me. Sadly though, this pattern is straight sized. On the first mockup, the bodice had all the typical problems that I tend to have with modern patterns — too big / wide at the shoulder, neck and above the bust. I briefly considered trying to adjust the 3010 bodice but then I decided to make my life easier and I frankenpatterned.

My current favorite vintage pattern, Simplicity 1577, also has a kimono sleeve bodice. I have this pattern in a half size and the fit is excellent. I opted to trace 1577 and modify it with the neckline of 3010. I changed the double waist darts of 1577 to the single waist dart of 3010. I also made small changes to the neckline facings to work with the slightly different shoulder of 1577.

I did a second bodice mockup based on “my creation”. Heh. Even though I was planning on the neckline from view 2, I did the mockup with view 1. I figured it would be faster to sew. That logic was a little faulty since I didn’t plan on actually finishing the neckline on the mockup.


Not only did the 2nd mock fit, but the fabric folding gods must have been with me because my motifs were perfectly placed on both the front and back pieces. While I really liked this fabric, I opted to use it for a mockup because I didn’t have a ton of it.

With that mischief managed, it was on with the Easter dress!

Because of the neckline, I was forced to use the dreaded facings. Trimming those scallops so close to get them to turn properly really made me nervous.  Those scallops need more starch!


The hand of the Joli Pomme fabric is really lovely. I think it can be over handled however. The bodice ended up being a little big when I was finally done with it. I may have pulled the fabric a bit much when ironing and wrangling the scallops into place. I assume once it is washed that will change or I can take in in a bit. I used all the original skirt and pocket pieces from 3010. The pockets want to collapse a bit but the scallop detail is so cute.


(You might recognize this bathroom from my Tiki Blouse selfie)

Since my vase mockup was so spot on and featured the view 1 neckline, I decided to go ahead and finish it. I used Kona cotton in a kind of a funny gray with an almost green tint. Honestly, it’s kind of a weird color but it was by far the best match to the swatch.


I’m a little wrinkly, but here I am in the completed view 1. I did a 3 inch turn up on the hem. It came out kind of lumpy so I’m going to trim it down and do a standard roll. I fully lined my pockets too.

This dress seemed perfect to wear during the grand re-opening of the Currey & Company showroom in High Point, NC. Currey & Company just completed a 4,400 foot expansion and total remodel of their showroom. It’s gorgeous and has been a huge project. So proud of everyone and glad I was able to be a part of the celebration.




  1. OMG! How cute are you?! Your killin’ me with the pockets. Thanks for mentioning the half size. My mom Connie fits the description and adores vintage looks. Now I will know what to hunt for to make my sewing life with her easier. The too wide in the shoulders thing is a nightmare. As a lover of all things brown- the Easter fabric is stunning.

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